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LANGUAGE, CLASS, AND IDENTITY IN GEORGE BERNARD SHAW’S PYGMALION
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Author(s):
MR. NILESH TULASHIDAS PHASE
Vol - 7, Issue- 1 ,
Page(s) : 103 - 110
(2020 )
DOI : https://doi.org/10.32804/IRJMSI
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Abstract
George Bernard Shaw’s Pygmalion (1912–13) is one of the most influential modern dramas, combining witty romantic comedy with sharp social criticism. Set in Edwardian London, the play dramatizes the transformation of Eliza Doolittle
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